These include alliteration, caesura, metaphor, personification, anaphora, and enjambment. Where is it now, the glory and the dream? And hear the mighty waters rolling evermore. The earth, and every common sight, Uphold us, cherish, and have power to make Philip Larkin once recalled hearing ‘Ode: Intimations of Immortality’ recited on BBC radio while he was driving, and having to pull over to the side of the road, as his eyes had filled with tears. Wordsworth also makes use of anaphora, or the repetition of a word or phrase at the beginning of multiple lines, usually in succession. Join the conversation by. Ye blessèd creatures, I have heard the call In a note to the poem, Wordsworth wrote: This was composed during my residence at Town-end, Grasmere. Oh evil day! The tone mimics the mood in most cases. “She” does all she can to “make her Foster-child, her Inmate Man” forget “Heaven” of the pre-birth time. Which, be they what they may The things which I have seen I now can see no more. Is lovely yet; These themes are some of the most commonly tapped into within Wordsworth’s oeuvre and will be familiar to anyone who has read poems such as ‘Daffodils,’ ‘Lines Composed a Few Miles Tintern Abbey’ and ‘My heart leaps when I behold’. ‘Ode: Intimations of Immortality from Recollections of Early Childhood’ by, What's your thoughts? Soon, his ‘vocation’ or purpose seems to be ‘endless imitation’, like an actor: trying to conduct oneself on the ‘stage’ of life correctly, rather than keeping that deep bond with nature. The poem begins with the speaker mourning the loss of his youth and the deeper connection he used to have to the natural world. Doth every Beast keep holiday;— Hence in a season of calm weather He takes note of the “gay” or happy nature of the earth and the way the “Land and sea” give themselves freely in joy. In darkness lost, the darkness of the grave; Broods like the Day, a Master o’er a Slave. Another important technique in this poem is personification. These three lines establish the tone for ‘Ode: Intimations of Immortality’: the poem is about the formative years of childhood and how they helped to make Wordsworth the man, and poet, he became. A Presence which is not to be put by; Of heaven-born freedom on thy being’s height, We respect your privacy and take protecting it seriously. With all the Persons, down to palsied Age, There was a time when meadow, grove, and stream, And all the earth is gay; Which we are toiling all our lives to find. Yearnings she hath in her own natural kind, In the first part of the ninth stanza, which is the longest of the poem with thirty-nine lines, the speaker makes a statement of intent. A mourning or a funeral; And unto this he frames his song: Ode On Intimations of Immortality talks about the connection between human life and nature. With new-fledged hope still fluttering in his breast:— Enjambment forces a reader down to the next line, and the next, quickly.

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